A Year of Creating Dangerously, Day 332: Memento Mori

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“Memento, homo, quia pulvis es, et in pulverem reverteris.”  (“Remember, O man, that you are dust, and to dust you will return.”) – From the Roman Catholic liturgy, based on Genesis 3:19, traditionally spoken on Ash Wednesday, the beginning of Lent.

Yesterday I had a post in praise of the latest Marvel Comics Netflix series, The Punisher. There is a moment in the series when another character sees Frank Castle, the Punisher himself, spray painting the iconic skull image onto the front of his bullet proof vest. He says to Frank, “You know what that is? That’s a Memento Mori.

Nothing like a little Latin with your pop culture.

What is a Memento Mori exactly? Literally, a reminder of death. Of course, The Punisher wears it to let the bad guys know what’s coming for them. But in art history a Memento Mori was used not so much as a judgment upon others but as a reminder to oneself. Most often in the form of a skull or skeleton, these were works of art meant to lead the viewer to considering their own mortality, which in turn would lead to humility and  thankfulness to God. The concept of the Memento Mori goes a long way back in the history of Christianity and can be seen in many churches and cathedrals, monasteries and covents. It is a common motif in Western culture.

I came upon a blog called Funeral Zone that had this to say of these reminders of mortality: “Memento mori primarily had a moral and religious purpose: to remind its owner or viewer that the afterlife awaited, and to not be overtly attached to material pleasures, in light of the prospect of divine judgment.”

In our popular culture, skulls and skeletons are Halloween decorations or used to convey some kind of badass image or played up for comedy. It is interesting, however, that though we don’t consciously use them as reminders of mortality anymore, they’re still with us, almost impossible to ignore, popping up in many different places and forms.

Maybe it isn’t such a bad thing to be reminded that we are all destined to die. We seem to be people driven to do whatever we can to never think about it, to worship at the altar of eternal youth and beauty instead. But wouldn’t we all be better off, more humble, more aware of the preciousness of each day, if we were more aware of how little time we each had on this earth?

I realized after I had looked into the history of the Memento Mori that I created one myself that now hangs in the TV room in my basement. It is a mosaic I made from craft foam after I saw a similar mosaic from the third century with a similar sentiment recently discovered in Turkey:

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If you want to read more about the history of the Memento Mori, check out the link to the article I’ve quoted above from Funeral Zone:

https://www.funeralzone.co.uk/blog/memento-mori

A Year of Creating Dangerously, Day 199: 500 Years in the Face of a Woman

An incredible feat of animation, this video gives us 500 years in the history of art via the portraits of women, each blending seamlessly into the next. It reminds me of the ways art and artists are always connected, always standing on the shoulders of the ones before them, always creating in an unbroken line. It also reminds me that our art history has been very Caucasian: This is most definitely a look at Northern European/North American art. As such, it is only a small slice of those 500 years. Nevertheless, a beautiful video well worth the watching…

A Year of Creating Dangerously, Day 46: A Kiss is Just a Kiss

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“Here’s Looking at You” Ronald Kok, 2016, Charcoal on paper

Though it is February 15, I thought it might still be okay to stay on the Love theme of Valentine’s Day! Here are some famous romantic images from the history of art (and one not-so-famous that I drew myself – my wife and I on our wedding day). You’ll see the tenderness, emotion, passion, ridiculousness, clumsiness and mystery of love in these artworks. A kiss is just a kiss… unless it is preserved forever on paper, canvas or in stone, of course.

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“The Kiss” by Gustav Klimt, 1908. Certainly the most famous of all of Klimt’s work, infused with his trademark eroticism.

 

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“Pygmalion and Galatea” by Jean-Leon Gerome, 1890. This painting depicts the story by Ovid of Pygmalion, the statue created by Galatea, which is brought to life by the goddess Venus.

 

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“In Bed: the Kiss” by Henri de Toulouse-Latrec, 1892. For its time period, this is a shockingly intimate moment to be portrayed in art.

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“The Kiss” by Constantin Brancusi. One of four versions of this sculpture that Brancusi created. This work makes me laugh as it reminds me that most of us don’t have that Greek god/goddess body: We look more like one of these two!

The Kiss 1901-4 by Auguste Rodin 1840-1917

“The Kiss” by Auguste Rodin. And then there are those with those Greek god/goddess bodies… In this famous sculpture, the lovers’ lips never actually touch, symbolizing a story to two lovers who were killed before they had the chance to consummate their love for each other.

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“The Birthday” by Marc Chagall, 1915. Chagall pictures himself and his wife Bella in dreamy and playful bliss on the occasion of her birthday. As others have remarked, Chagall illustrates how he could bend over backwards for love.

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“Kiss V” by Roy Lichtenstein, 1964. I love Lichtenstein’s comic book-inspired art. This embrace leaves room for ambiguity: Is this joy, sadness, or grief? We can’t be sure. However, we can be sure of the genuine affection and empathy of this piece, despite the graphic art nature of it.