Silvia’s Sunflowers


Ronald Kok, “Silvia’s Sunflowers”, mixed media mosaic on board, 2018

It is said that imitation is the sincerest form of flattery. However, my latest artwork isn’t so much imitation as it is edification in the purest sense of the word. I took another artist’s work and built my own work on top of it, quite literally.

Over the last year I’ve stumbled upon a mosaic style that has resonated with me. Most of my mosaic creations have been done on what I call “Wal-Mart art” canvases; that is, I purchase an art print that I find at a second-hand store, something originally sold via a store like Wal-Mart or Ikea or Homesense, gesso over it and resuse it as the base for a new mosaic. The “original” print disappears and my new creation appears.

I had purchased an art print on a board at my local Value Village a few months ago. It was an interesting work of sunflowers in a vase:


I really liked the image on this print and had intended to somehow incorporate another artwork into it. However, it ended up setting around in my basement until some inspiration struck: Why not use the image as a template and build a mosaic over top? So that’s what I did.

In the process, I discovered that the artist of the original is Silvia Vassileva, a Bulgarian-born painter who has been incredibly prolific in her lifetime. I scrolled through literally thousands of art prints of hers on sale online, searching for these sunflowers. Finally, I just searched “Vassileva sunflowers” and got the image immediately. It is titled “Sunflowers in a Bronze Vase”. My title? I thought “Silvia’s Sunflowers” was appropriate, considering what I owe her in my edification of her work.  If you want to see more of what Silvia Vassileva has done, check out her work on

Below are images of the process the artwork went through to go from Siliva’s print to my mosaic:

A Year of Creating Dangerously, Day 363: Ron’s 2017 Gallery, Part 3

I Have Seen the Light

As I wrap up this creatively momentous year for me, I have been sharing examples of the artwork I did in 2017. The past two days I have shown artwork that pointed to a development in style leading me to work on mosaics but also a lot of experimentation as I tried to stretch myself in different ways. Those themes continued on for me, though the burst of energy into mosaics abated somewhat (until I hit my Christmas holidays… more on that later).

This is part 3 of my gallery from 2017 – A lot of illustrated quotes and spontaneous drawing and painting, in reality a lot of disconnected things that ultimately become connected. Here we go…

In August my family and I spent a few days in one of our favorite places – a lovely cottage in Quebec. My wife and I, in particular, love to take this time to do art. For me, it meant trying my hand at plein air painting. I have done precious little of this over the years. Plein air simply means painting in the “open air”, outside in the elements, and creating what you see in front of you. It is its own form of challenging as things don’t sit still for you, the earth rotates and the sun moves, light and shadow shifts, clouds roll and change. In the end, you don’t so much “take a picture” of a scene as record an interesting mix of elements that give the scene a unique quality. Painter and subject get intimately acquainted.

I sat down at the dock by the lake and made this painting on an increasingly overcast August day:


Clouds Over Lac Joly, Acylic on canvas, 2017

I ended up leaving the painting at the cottage as a thank-you to the friends who allow us to spend time there. Looking at this painting again, as we endure -30 weather now in Ottawa, makes me long to be back at the place.

After those few days off I was back at work. I help to run an art studio at a day program for adults with developmental disabilities. One of the things I try to do is come up with fresh and interesting ways of making art, perhaps coming up with ideas or media that will click with the clients at the program. I came back from a shopping trip one day with a pack of color diffusing paper. I had never used it before and so I did some experimenting with it. Below are some of those results including a self-portrait:



Self portrait, pen and markers on color diffusing paper, 2017

For 2017 in this blog I used a lot of quotes. I found inspiration in the words of other people often throughout the year. It is probably no surprise that I would join the words with some of my own images eventually.

As I sat in a cafe one evening, waiting to pick my daughter up from her college class, I drew the following quote buy Marilyn Monroe:

Imperfection is Beauty quote

I had a lot of fun with my art markers in creating this piece. It put me in the frame of mind to work on others. The next one was considerably darker in tone as the quote was a heavy one:

To be wounded quote

If you’ve been following my blog, the image above will look familiar. I used a similar take on a profile of a Christ with crown of thorns motif I had painted earlier in the year. Again, I was enjoying the bright colors and possibilities of my pack of art markers.

That got me going on a series, likely inspired by my time in Quebec at the cottage, hiking trails and enjoying nature as I do. Below is that series of five quote/drawings I completed, all based on my love of trees and lakes and all things outdoors:

Today I Have Grown TallerPerhaps Truth Depends on a WalkI Drank the Silence of GodAnd into the woods I goAdopt the pace of nature

I think the last one of this series, pictured above, was my personal favorite. I was remembering sitting in a kayak on the lake, seeing those amazing trees that grip the stone and grow out of a seemingly impossible place to grow.

During the summer months I was not feeling inspired to start any new mosaics. I had a canvas primed and ready but didn’t have a muse. However, I saw a posting in the Ottawa Artists Facebook page about an annual Cock Show art exhibition happening in October. The Atomic Rooster, a pub in downtown Ottawa, puts on this show every year and invites artists to submit pieces with rooster theme. Well, I couldn’t pass up on this opportunity. So I created a mosaic rooster for the show, using a quote (big surprise), this time from the incomparable Muhammad Ali:

I Have Seen the Light

I Have Seen the Light, Craft foam mosaic on canvas, 2017

I was great fun to see this artwork up on the wall at the Atomic Rooster, along with so many other creative, funny, profound and odd creations of roosters. I sold this piece within the first couple of days of the show. I was very happy with how this one turned out. Yes, I’m crowing a bit, aren’t I?

There would be no more mosaics forthcoming for a couple of months. Instead, I did a lot more drawing and some simple painting. I decided to try and loosen up a bit again and draw some expressionistic human figures. I ended up with a series of figures drawn over water color abstracts, each with a quote regarding creativity. I called this series Creative Spirits:

Comfort the disturbed disturb the comfortableBuild confidence in the creative spiritevery set of eyes has a right to the truthbetween the desire to communicate and the desire to hidewho we are and what we do is lifeTake your broken heart turn it into art

These were just okay in my estimation, not anything outstanding, but they did help push me along in an expressionist direction, one that would lead to my final mosaic of the year. More on that after…

Peter Pumpkinhead – From a song by XTC that was clearly based on Jesus Christ, I did a water color pencil and pen artwork of a crucified scarecrow. It was around Halloween time so this drawing confused some people. I didn’t mean it as something fun but as something provocative. Perhaps the cartoonish look of it detracted from any deep sort of meaning:

Peter Pumpkinhead

Peter Pumpkinhead, Water color and pen on paper, 2017

The combination of the Creative Spirits drawings and the tree idea of the above led me to grab my oil pastels and sketch the following:

creation story drawing

Creation Story, Oil pastels on paper, 2017

I realized after I had drawn this that a few things were coming together: The expressive sketches I had done, some spiritual themes, themes of mortality and divinity, and the personal study I had done this year of a few Canadian indigenous artists. In many ways, I had never done a drawing quite like this. It became an inspiration for me for the last mosaic I would make for 2017, one that I have just completed, only a couple of days before 2018. But before I show you that one, here is the second-to-last mosaic of my year, completed just before Christmas:


Horse, Craft foam and burlap paper on canvas, 2017

Why a horse? I’m not really sure. The beauty of the animal? The sense of freedom, of joyful spirit? Who knows. What I do know is that I used leftover scraps of colored foam that I had purchased to make Christmas decorations at the day program. I loved the colors and patterns so much that I went out and bought my own versions of this foam at a local dollar store, primed and painted a large canvas, and set out recreating the Creation Story drawing into a mosaic. In many ways, I now realize that this piece is a great way to cap off this year:

Creation Story 2017

Creation Story, Mixed media mosaic on canvas, 2017

I spent many of my holiday hours on this piece, a Creation Story indeed. This past year has been all about creation and about discovering the creator in myself. It was certainly apropos for me to invest my time and energy into an artwork that encompassed many thoughts and themes from my 2017.

So there you have it. Not a complete gallery of my 2017 but certainly the highlights. Of course I took photos and wrote poems and essays as well in this past year. But the truth is that the visual arts are most deeply rooted in me, from the first time I picked up a crayon to a day or two ago when I glued that last piece of craft foam on the artwork above.

I believe we are all made in the image of the Creator. After this year I am more thankful than ever that the Creator gave me the ability to do some minor creating of my own.


A Year of Creating Dangerously, Day 268: Crowing About My Rooster

I Have Seen the Light

I Have Seen the Light! (Muhammad Ali Was Cocksure), Craft Foam Mosaic on canvas, 2017

There’s a first time for everything. For me, recently, there are two first time things combined: (1) first time making any artwork with a rooster as the subject matter and (2) first time creating a work of art for a specific art show, in this case The Atomic Rooster’s annual Cock Show:


Given my last name an the opportunity to follow a theme, I couldn’t resist. It also seemed the inspiration I needed to make another mosaic out of the colorful  craft foam I’ve used before.

At first, I thought of doing something to connect with the fantasy/allegory that is Book of the Dun Cow by Walter Wangerin, Jr. Set in a barn yard, the central character is Chanticleer the Rooster. But the ideas weren’t coming for me around that concept so I kept seeking inspiration. One day when I was looking up quotes that had to do with roosters, I came upon a quote by Muhammad Ali:

“A rooster crows only when it sees the light. Put him in the dark and he’ll never crow. I have seen the light and I’m crowing.”

That was it – I had my inspiration. Sketching an idea and beginning the artwork was now an easy task. However, I was getting very close to the deadline for submissions and I had forgotten how painstaking the mosaic process was. In fittingly barn yard fashion I worked on that rooster like a rented mule for a week, grabbing hours here and there whenever I could and, miraculously, got the piece done on time!

Below are some photos I took during the process and some detail photos of the finished piece. If you happen to be in Ottawa from today until early November, stop by the Atomic Rooster on Bank street near Somerset and enjoy the cockerels. If I’m there, I’ll do some crowing for you.


A Year of Creating Dangerously, Day 198: Until Death It is All Life

Until Death It Is All Life.JPG

Until Death It Is All Life, Ronald Kok, Craft foam mosaic, 2017

“Hasta la muerta es toda la vida.” These words are spoken by Sancho Panza, faithful squire to the noble knight Don Quixote.

Miquel de Cervantes Saavedra wrote the incomparable and influential The Ingenious Nobleman Mister Quixote of La Mancha (or more commonly know as Don Quixote) in the early part of the 17th century. It was published in two parts between 1605 and 1615. The tale is equal parts comedy and tragedy, full of madness and imagination, and making commentary on so many things that the book is constantly reinterpreted with each passing age. It is the Great Spanish novel and has gained a well deserved place as one of the best works of fiction in the world.

I’m not sure how Don Quixote took center stage in my latest mosaic. There is something so mysterious about that inspiration that befits the tale of the nobleman who imagines himself a knight, tilting at windmills that he believes are squatting giants all over the Spanish countryside. Perhaps it has something to do with the fact that Quixote was supposed to be about my age when he lost his grip on reality. Perhaps it has to do with that fine line between realism and imagination in the story that is so often my own fine line. Perhaps it is the influence Spain has had on me, having spent four months there at the formative age of 21.  Perhaps it is the specter of mortality that has been following me like my own shadow, daring me to embrace life. Or perhaps it is none of these at all.

Whatever it was that first gave me the push to create this artwork, I know that there were also some very straightforward choices on my part: First, I chose to include a reference to the Spanish flag in this work (the red, yellow, red of the background); Second, I chose to reference the brilliantly organic and colorful mosaics of Antonio Gaudi, the great Spanish artist; and Third, I chose to include the quote as an affirmation of life in the face of inevitable death.

So there you have it.

This artwork took much effort in both conceptualization of the idea and in execution of it (i.e., a helluva lot of hours cutting up craft foam and gluing it on). I started with what I call “WalMart Art”, a factory-produced piece of art bought at a second-hand store which I painted black; then I sketched out the idea, started with the figure of Don Quixote on Rocinante and built the artwork from there.

“Until death it is all life” – May this inspire you to embrace your life and live it out brightly and colorfully.

Below are some photos of the process.


A Year of Creating Dangerously, Day 167: The Living Mosaics of Gaudi

pg 01

Lately I have been having some fun with mosaic. Or it has been having fun with me. It started with me cutting up some craft foam and playing around with it. Since then, a few artworks have emerged which I’ve posted to this blog over the last few weeks. Yesterday I thought I’d actually do some research into great mosaic art in the world and, lo and behold, I was reminded that I once spent a rainy Spring afternoon in the midst of a host of mosaic masterpieces.

When I was 21 I studied in Spain during the Winter and Spring of 1987, living in the small town of Denia on the coast of the Mediterranean Sea. Each month we had a weekend excursion to a different locale to learn more about the culture and history of Spain. One of those trips was to the incomparable city of Barcelona. It was there that we spent a chunk of one of our days roaming around Parc Guell, a stunning public park designed by the one and only Antonio Gaudi of La Sagrada Familia fame. Here is photo evidence of me at the park in Barcelona on that soggy Spring day:

Ron at parc guell

Handsome young fella, isn’t he? Wonder what happened to him…

Anyway, the park! Well, the park felt like it was alive. Gaudi’s creations are so organic, so full of motion and soul, that you feel like they’re growing and breathing around you. There isn’t a straight line to be found, much like the reality of the natural world we live in. It is us who have tried to superimpose order on what is meant to be much more free-flowing, entwining, and, yes, invasive. Gaudi sought to reclaim some of that in his architecturally brilliant and eccentric creations. Parc Guell is another magnificent example of his genius.

So in celebration of the mosaic and a true master of the form, here are a few photos of that incredible place I had the good fortune to visit all those years ago…

pg 02pg 03Barcelona April 2004pg 05pg 06pg 07pg 08pg 09pg 10


A Year of Creating Dangerously, Day 163: Rage, Rage…


“Rage, Rage…” Mosaic on canvas, Craft foam and coloured burlap , 2017

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Dylan Thomas and one of my favorite poems inspired my latest artwork. I have been into the mosaic form of late, trying out some new things, experimenting a bit. I had purchased what I like to call “Wal-Mart Art” from a second-hand store in order to use it for artwork but didn’t really know what I was going to use it for. By “Wal-Mart Art” I mean those factory-produced pieces you can purchase at a store for home decorating. I know that sounds demeaning but, honestly, if you’re going to spend money on art, buy some made by a local artist, not a your local Ikea or whatever. That being said, I appreciate that someone originally bought that so that, eventually, I could buy it and turn it into something else!

Ah, life is full of ironies…

I recently came home with a book of poetry (also purchased second-hand… I sense a theme here) in which I’ve been discovering or re-discovering some amazing works. The Thomas poem “Do Not Go Gentle Into that Good Night” resonated with me strongly, probably more so now that I am into my 50’s, dealing with some physical and mental strains, than back in my 20’s when I first studied the poem in college. As I thought of those powerful words of the poem, “Rage, rage against the dying of the light” and my work in mosaic of late, I decided to combine the two.

First, I painted the entire “Wal-Mart Art” piece black (start humming the Rolling Stones tune… now!). I then did some sketching out of how I wanted to space the words. I cut out some templates for the bigger words to make sure everything fit and drew some light outlines of them on the canvas. Then I chose what colors and what shapes I wanted to use, sliced and diced my craft foam and colored burlap, got out the Modge Podge and went for it.

I didn’t do a great job of photo-journaling the process, but below are a few pics to help you see the start-to-finish of this work. First, I’ve printed the Dylan Thomas poem again:

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.




A Year of Creating Dangerously, Day 143: Bob Dylan Dream

Bob Dylan Dream

“Bob Dylan Dream”, Craft foam and colored burlap mosaic, 2017

Continuing on in my mosaic theme of late…

I had purchased more craft foam and some sheets of colored burlap from the dollar store. I had a canvas covered in black gesso all ready to go. I had a new jar of Modge Podge. All I needed was an idea.

And nothing. Nada. Zip. Nothing came to me. Nothing for about two or three weeks.

It’s like that sometimes for me. Maybe it’s that way for you, too – whatever your form of expression may be.  I’ll wait for that elusive muse. Often the wait drives me crazy. But I know better than to force something. When I do, my heart’s not in it.

This time around, as I was waiting, all it took was a glance at the Bob Dylan book of lyrics setting next to my favorite chair in the living room. I had been paging through it, using it as a reference for last Sunday’s God Quote (Day 141). I put it down and looked at the iconic photo of the 1965/66 Dylan from the Highway 61-era.

Boom! There it was. I had my inspiration. I was hoping to create a painting per month in 2017 in honor of the artists who have inspired me. We’re five months in and I’ve only done two. Sigh… But here was my chance to do up some artwork in honor of one of my favorite musicians all time. Not a painting, however, but what the hell? Art is about breaking your own rules too.

I wanted it to be more than a portrait; something that reflected the artist and his art. Dylan has always been an enigma. I can’t remember who said it but my favorite quote about him goes something like, “Dylan has so many sides to him, he’s round.” It should be something that reflects his status as the most frustratingly impossible-to-pin-down singer-songwriter in rock history. I also wanted to include some words because, well, Dylan without words is like Ansel Adams without film for his camera.

But what words? The man has written thousands and thousands of words. I didn’t want it to be the cliche Dylan lyric. Nothing from “Blowin’ in the Wind” or “Like a Rolling Stone” or “Tangled Up in Blue”. So I started paging through that book of lyrics to find inspiration.

It didn’t take me long to come across a line that seemed to work well with what I knew was going to be a trippy portrait. It comes at the end of one of his “talking blues” songs from early on in his career, from his 1962 album The Freewheelin’ Bob Dylan. The song is “Talkin’ World War III Blues” and it is freakin’ hilarious. Here is the section of lyrics from that song where I found my quote for the mosaic:

Well, now time passed and now it seems/ Everybody’s having them dreams/Everybody sees themselves/Walkin’ around with no one else/Half of the people can be part right all of the time/Some of the people can be all right part of the time/But all of the people can’t be all right all of the time/I think Abraham Lincoln said that/”I’ll let you be in my dreams if I can be in yours”/I said that

So I had it all now. The materials, the inspiration, the image, the words. Below are a few photos of the process. At the end, I had a wildly colorful, puzzle-like portrait befitting the complicated man simply known as Bob.


Bob Dylan Dream

A Year of Creating Dangerously, Day 122: Be Cheerful!


Be Cheerful and Live Your Life, Ronald Kok, 2017, foam mosaic on canvas

And now for something completely odd

If you’ve visited this space over the last couple of weeks, you’ve seen me experimenting with different forms of mosaics. First it was an Easter cross I made for that Sunday morning, next it was a self portrait in colored foam from the dollar store. Here are those two pieces:

As is often the case when you’ve got something on the brain, just a couple days after finishing the above self portrait (as well as guiding my students in creating their own foam mosaics), a Facebook page I like, Colossal, posted an article about an amazingly well-preserved mosaic from the third century that was recently unearthed by archaeologists in Turkey. Here is that mosaic:


Below is a brief description found on the Colossal website:

Archaeologists in Turkey recently unearthed an exceptionally preserved mosaic inside the remains of a building from the 3rd century. One section of the three-panel artwork includes a reclining skeleton with an arm over its head, holding a glass of wine and resting an elbow on a loaf of bread. On both sides of its head reads the phrase “Be cheerful and live your life,” written in Greek. The purpose of the building surrounding the mosaic, and even when it was made is currently being debated. Some experts believe the triptych was simply the floor of a wealthy person who could afford to have it built, while others think it might be a message in a soup kitchen urging people to get their food quickly and leave. The History Blog has a great analysis and quite a bit more background if you’re interested. (via The History Blog)

Here is a photo of the triptych to give you an idea of size and context:


This was all too wonderful for me to pass up. The incongruity here, the humor combined with commentary had me hooked right away. Why a skeleton along with the words “Be cheerful and live your life”? Was the artist inserting a reminder of mortality, an “eat, drink, be merry for tomorrow we die” kind of vibe? It has to be the quirkiest mosaic I’ve ever seen. So, naturally, since I was having fun with mosaics myself, I decided to recreate it in foam as I did with my self portrait.

I don’t have photos of the entire process but I share a few here that I did take. To say that this was fun is an understatement. I suppose there is a bit of commentary along with the comedy in my version of this mosaic, as well. The fact that I used animal patterned colored foam from the dollar store could be a statement all by itself!

The bread and wine became pizza and some kind of beverage in my version of the mosaic. The reclining posture of the skeleton, along with its expression and ribs and hipbones, etc. was a joy to recreate. In some ways I think I might have been feeling the same sense of joy the original artist felt. When you think about it, that is both funny and profound all at once, kind of like the mosaic itself!


A Year of Creating Dangerously, Day 118: Self-Portrait on the Cheap

Self portrait in craft foam 2017

Self-Portrait in Craft Foam, 2017

Happy Friday, everybody! True to form (or foam), whenever I’m trying out something new, I often try it out on a self-portrait.

I decided to create some kind of mosaic with craft foam we had hanging around at work. Not knowing what I would make, I chose my fall-back subject matter: Me. This is truly a self-portrait on the cheap as the foam and school glue used to affix it to paper were all purchased at a dollar store. I was very limited in my color choices but that just made the whole thing more challenging and fun.

The mosaic style has always fascinated me: How our brains take shapes and colors, laid out on a flat surface in some pattern, and turns them into something that looks like something we can recognize! On one level, it is just rough, geometric shapes sitting close to each other on a piece of paper; on another level, it’s a portrait of a dude with a beard that kind of looks like me, even if there is quite literally no color in the image that corresponds directly to the colors you would see when looking at me in real life.

Art and its ways of lying to get at the truth never ceases to fascinate me.