As my Year of Creativity draws to a close, I have decided to take a couple of days dedicated to a small gallery of the artwork I did in 2017. Yesterday, in part 1, I described (and displayed) how I became, through a series of different art experiments, a mosaic maker. Today, here are some of those first true mosaics. Of course, no artist ever dabbles in just one thing so there are some drawings and a neglected painting finally finished in today’s post, as well.
Here we go…
As I began to realize that the experiments I had been doing in colored foam on paper were mosaics, I was, of course, drawn to things mosaic. It so happened that a site I follow on Facebook posted a story about a wonderfully intact mosaic from the third century that had been discovered in Turkey. It showed a reclining skeleton, enjoying wine and bread, with the words (in Greek): “Be cheerful and live your life”. I was so struck by the juxtaposition and humor of the happy bones encouraging me to enjoy my life that I decided to recreate it as my own mosaic:
I had purchased craft foam at my local dollar store which had animal print designs on it (zebra stripes, leopard spots, etc). I cut these up into mostly squares to create the above. My skeleton enjoys a pizza, be it a blue spotted pizza. This artwork was fun to make and I enjoyed the result so much that, well, I was determined to try this mosaic thing again.
The next thing I tried was a portrait of an artist that inspired me. My wife had bought me a book of all of Bob Dylan’s lyrics for my birthday. The book has an iconic photo of Dylan from the mid-1960’s on the cover. I decided to try and recreate that portrait in mosaic form:
There was something about rendering Bob in colorful mosaic that made sense, and it made sense to me to include a phrase from one of his quirkier songs. It was meant to be provocative and a bit out there, much like the enigmatic songwriter himself. I think I succeeded.
After this portrait of Dylan I became interested in the work of the man he named himself after, Dylan Thomas. I began work on a very large mosaic, the biggest one I had tried so far, based on a line from a Thomas poem. However, it took me a long time to put that one together so in the meantime, some other artistic experiments were underway…
I had seen an article online about an artist that made single line portraits. I decided to have a go at it, not drawing anyone in particular, but using a black art pen, putting it to paper, and not taking it off the paper until a portrait was “done”. I filled up a couple of sketchbooks doing this. Below are some highlights from that experiment:
These were fun and challenging. I consider myself very loose and spontaneous in my drawing to begin with but this style stretched me more than I expected. I found that if I thought too much about it they didn’t turn out so well. But if I just went with the flow I ended up with more satisfying results.
I decide to expand this experiment, this time sketching particular individuals and doing so in 18 different lines each. Why 18? Because I had a pack of 18 colored markers on hand, fine point. This proved to be far more difficult because (1) the introduction of color and (2) attempting to draw the person as that person looks! Below is a self portrait and three portraits I made of individuals in my art studio at the day program where I work:
As I mentioned, these were a lot harder than they look. But it was another good way of pushing myself outside my own artistic comfort zones.
Around this same time I picked up a neglected canvas that had been lying around for about two years. A co-worker of mine had mentioned that she liked the half-finished painting that it was. I was a bit appalled that she’d like the monstrosity that it was and told her I needed to finish it. This same co-worker was injured at work and wasn’t able to return. Missing her at work, I believe, was the impetus to finish the painting. I had a background but then, using textures and acrylic paint, added the five birch which became the foreground and title of the painting:
I gave this painting to her as an early wedding gift.
Around this time I had finally finished the large mosaic based on a line from a Dylan Thomas poem. The line:
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
There was something about this raging against inevitable mortality that struck a chord with me. I decided, instead of trying to come up with an image to go with the words, to illustrate the powerful words themselves.
This theme of mortality and the drive to live life to the utmost, to pursue dreams and use your talents, to love people and explore and take risks in the face of that dying of the light was no doubt a huge motivator for me this year. It was a great contributing factor in the creation of the next mosaic to follow this one, another large work, this time based on a character whose delusion is heroic and relatable:
As I get older the character of Don Quixote becomes more real to me. He is deluded, surely, but also full of imagination, so full that it becomes reality to him. He is a tragic-hero in some ways, comical in a pathetic way, but also honorable and, in some odd way, a role model of sorts. Having had a great experience living in Spain back when I was 21, this work became a bit of an homage too. The background colors are meant to imitate the colors of the Spanish flag. The tiled lines flowing across the painting (which also wrap around the outside edges) were meant to be evocative of a Spanish artist like Gaudi as well as their penchant for great ceramic work. And, of course, Cervantes’ great comic-hero Quixote is the pinnacle of Spanish classical literature.
There would be more mosaics before 2017 was through but also more artwork in general. Tomorrow for part 3 of my gallery I will share more with you.